Photos taken by Bob Packert
JOURny Magazine X CROWN THE COOL
I recently had the chance to immerse myself in Firelei Báez's exhibition at the ICA museum in Boston, and it was a profound experience that reminded me of this simple truth: in the breath of life, art lives. Although the exhibit has closed, the emotions and insights I gained from it still resonate deeply within me. Báez, an extraordinary artist from the Dominican Republic, invites us to explore the complex narratives of her heritage. Her art goes beyond mere aesthetics; it's a heartfelt exploration of colonial histories and the African diaspora, challenging our perceptions of race, gender, and nationality. As I wandered through the exhibit, I could feel the pulse of life in each piece. The vibrant colors and intricate patterns layered over colonial maps seemed to breathe with stories of pain and beauty. It was as if Báez's work was speaking directly to me, urging me to confront the weight of history while celebrating the resilience of those who came before us. One particular moment stands out: while standing before her painting, "Joy out of Fire," which felt almost alive. The colors were so rich, and the patterns so mesmerizing, that I found myself lost in thought. It was a moment of connection, a reminder that in the breath of life, art lives—and it has the power to evoke deep feelings and provoke introspection.
artwork; To Write Fire Until Its Every Breath 2018,
Acrylic on Canvas
Báez's sculptural installations added another layer to the experience, wrapping me in her storytelling and creating a sense of immersion that was truly captivating. I could feel the narratives surrounding me, challenging me to engage with my own story and how it intertwines with the broader tapestry of history. Though the exhibit has ended, the impact of Báez's work continues to linger in my mind. It's a powerful reminder that art has the ability to connect us, to inspire us, and to make us reflect on our lives. If you missed this exhibition, keep an eye out for Firelei Báez in the future.
B
artwork; Bloodlines (past forces of oppression become frail and fallible) 2015,
Acrylic and ink on linen.
artwork; Truth was the bridge (or an emancipatory healing), 2024. The mural, made for the ICA as part of Báez's first-ever museum survey, is installed in a space overlooking Boston Harbor.
This experience with Báez's art has reinforced my belief in the transformative power of artistic expression. It serves as a poignant reminder that art serves as a universal language that can bridge gaps, ignite inspiration, and compel us to ponder the complexities of our existence.
Until next time,
XOXO
Eunice
artwork; Those who would douse it, 2015
Comments